The purpose of the study was to determine the functions of alimentary signs in the novel “Laughter” by A.V. Korolev (2001–2011). Elements related to food images, situations, and customs related to gastronomy were identified, analyzed, and systematized. It is proved that the author of the work actively uses stable phrases associated with images of food. Allegorical turns of “Laughter” contain references to the absorption and digestion of food, and a number of coloronyms are based on “food” associations. Most case-law texts are chosen on the same principle. The novel lists animals that are suitable for traditional cuisine. Birds are mentioned many times. The primacy in the plot belongs to quails and chickens, which is explained by a number of circumstances of folklore, social-historical, domestic and physiological nature. In the minds of ordinary characters, food becomes the substratum of existence. Quite often in “Laughter” the theme of Anthropophagy sounds. The reversibility of food to the eater, the transformation of dishes for a wedding celebration into dishes for a funeral meal-fundamentally important for understanding the idea of “Laughter” inversions. A.V. Korolev brings the image of the victim to the fore. Many lines of the novel are connected with the problem of cruelty: Palace intrigues at the court of the Bourbons, mass propaganda during the Third Reich, Stalin's system of terror and informers, “Nord-Ost”. In “Laughter” the writer clearly and in detail recreates the panorama of modern hedonism. The novel by A.V. Korolev could be called “The History of World GourMania.”
Aliev, R. T., & Yakushenkova, O. S. (2018). Alimentary models of the Imaginary Other. Caspian Region: Politics, Economics, Culture, 4, 160–166. (In Russian).
Barth, R. (2003). Toward a psychosociology of modern nutrition. In R. Barth, The Fashion System: Articles on the Semiotics of Culture (pp. 366–377). Publishing house named after. Sabashnikov. (In Russian).
Borovkov, N. N., & Borovkova, N. Yu. The Last Sickness of Louis XIV. Archives of Internal Medicine, 6, 74–77. (In Russian).
Brazhkina, A. V. (1988). 1998. Cake Lenin. Shabelnikov, Fesenko. Art-Protest. Forbidden Art. https://artprotest.org/cgi-bin/news.pl?id=3108 (In Russian).
Brockhaus, F., & Ephron, I. (2003). Encyclopedic Dictionary. Eksmo. (In Russian).
Elistratov, V. S. (2014). On regional phagology. Food and Culture: Symposium Proceedings, 44–51. (In Russian).
Farino, E. (2004). Introduction to Literary Studies. Publishing house of the Russian State Pedagogical University named after A.I. Gertsen. (In Russian).
Freidenberg, O. M. (1997). The Poetics of Plot and Genre (N. V. Braginskaya, Ed.). Labyrinth. (In Russian).
Golovanivskaya, M. K. (2014). Meat and milk as a dialectical pair. In Food and Culture: Symposium Proceedings (pp. 203–214). Moscow State University. (In Russian).
Gura, A. V. (2004). Quail. In N. I. Tolstoy (Ed.), Slavic Antiquities: An Ethnolinguistic Dictionary: In 5 Volumes: Volume III. (pp. 688–690). International Relations. (In Russian).
Khlebnikov, O. N. (2019). Anatoly Korolev: “I got caught in the trap of creation.” A conversation with the writer about his new novel “Laughter,” God, the devil, and contemporary art. Novaya Gazeta, 58. https://novayagazeta.ru/articles/2019/05/31/80714-anatoliy-korolev-ya-ugodil-v-lovushku-mirozdaniya In Russian).
Korolev, A. V. (2011). “I am concerned about the weighting of the burden of human existence...”: Interview. Private Correspondent. “Literature Online”. http://www.chaskor.ru/article/anatolij_korolev_ya_ozabochen_utyazheleniem_noshi_sushchestvovaniya_cheloveka_23674 (In Russian).
Korolev, A. V. (2018). Laughter: A Novel. ArsisBooks. (In Russian).
Levkievskaya, E. E. (2011). Food Everyday and Ritual Food: Mechanisms of Switching Axiological Codes. In N. V. Zlydneva (Ed.), Codes of everyday life in Slavic culture: Food and clothing (pp. 37–47). Aletheia. (In Russian).
Magnitov, S. N. (2003). Analytics. Academy of Trinitrism: an electronic periodical. http://www.trinitas.ru/rus/doc/0009/001a/00090007.htm (In Russian).
Pavlovskaya, A. V. (2014). Do we need a science of food? Food and Culture: Symposium Proceedings, 7–43. (In Russian).
Propp, V. Ya. (2011). The Problems of Comedy and Laughter. Aletheia. (In Russian).
Samorukova, I. V. (2011). Metaphysics of the Hen House: Hen Symbolism of the Late Soviet Period. New Literary Review, 1, 153–163. (In Russian).
Skoropanova, I. S. (2020). The phenomenon of laughter in Anatoly Korolev's novel “Khokhot”. In I. С. Skoropanova (Ed.), Analysis of One Work: A Collection of Scientific Articles (pp. 185–219). Data-processing center of the Ministry of Finance. (In Russian).
Tolstov, V. A. (2018). Salty ear on the left cheek. Ural: literary magazine, 9. http://uraljournal.ru/work-2018-9-1880 (In Russian).
Wakem, E. (2019). The essay “Laughter” based on the novel of the same name by A. Korolev. Korolev. Literary Salon “Sunrise XXI”. https://vk.com/@salonrassvet-esse-hohot-po-odnoimennomu-romanu-a-koroleva (In Russian).
Yakushenkova, O. S. (2014). Tell me what you eat, and I'll tell you who you are. Alimentary Cultural Dialogue with the Other. Caspian Region: Politics, Economics, Culture, 2, 319–326. (In Russian).
Yamshchikov, K. (2019). “The Story of Unsatisfiability” in Anatoly Korolev's new novel. Revizor: information portal about culture in Russia and abroad. http://www.rewizor.ru/literature/reviews/istoriya-nenasytimosti-v-novom-romane-anatoliya-koroleva/ (In Russian).
Yurina, E. A. (2015). “Food metaphor”: Scope and boundaries of the concept. Bulletin of Kemerovo State University, 3–1, 207–212. (In Russian).
Zabolotsky, N. A. (1983). Collected Works: In Three Volumes: Volume I. Khudozhestvennaya Literatura. (In Russian).
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2022 Elena Zavyalova